American record executive, songwriter, and film producer Harvey Jay Mason Jr. is also the current chief executive officer of the Recording Academy. Age 54 as of 3 June 1968; Boston, Massachusetts, USA.
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Harvey Mason Jr Net Worth
American songwriter, record producer, and film producer Harvey Mason, Jr. has a $10 million fortune. In June of 1968, Harvey Mason was born in Boston, Massachusetts. Harvey Mason, Sr. is a jazz drummer in his own right, and he is Eric’s father.
At the age of eight, Harvey Jr. composed his first song for Grover Washington, Jr., and he and his father both participated in recording sessions. After receiving a basketball scholarship to the University of Arizona, where he played on the team that advanced to the Final Four, Harvey decided to major in physics. You might also be interested to read about Chad Ochocinco Net Worth.
Elton John, Aretha Franklin, Whitney Houston, Luther Vandross, Britney Spears, Jordin Sparks, Jennifer Hudson, Chris Brown, Beyonce, Mary J. Blige, Justin Timberlake, Brandy, Destiny’s Child, and Michael Jackson are just a few of the artists whose songs Mason has written or produced.
Harvey Mason Media was established by him in 2008. In 2008, the firm produced the LeBron James biopic More Than a Game. In 2013, Mason was a mentor and producer for the American version of The X Factor.
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The six Grammys that Mason has won are all a result of his musical talents. The National Academy of Recording Arts and Sciences in both Los Angeles and around the country elected him to their boards of directors. Trey Mason, a star player for the Arizona Wildcats in college basketball, is his son.
According To The CEO Of The Recording Academy, “Borders Are Crumbling” In The Music Business.
CEO of the Recording Academy Harvey Mason Jr. sat down with Jennifer Schonberger of Yahoo Finance to talk about issues of diversity, including gender and cultural representation, difficulties in artist income, and problems with online ticketing and music streaming. Check also Isaac Hayes Net Worth.
Video Transcript
SEN. SEANA SMIT: Tonight is going to be a major one for the music business. On February 5th, 2019, the 65th Annual Grammy Awards will be held. Jen Schonberger, of Yahoo! Finance, is here now to elaborate. Excuse me, Jen.
DR. JEN SCHONBERGER: Greetings, Seana. There you go. I recently had a chat with Harvey Mason, Jr., CEO of the Recording Academy, the organization responsible for putting on the Grammy Awards, to get a sense of what to anticipate from the biggest night in music.
The Academy and Mason have both made diversity one of their primary foci. The range of nominees this year was unprecedented. According to Mason, this year’s concerts will feature a wide range of musical styles and a diverse crowd. Let’s hear what you’ve got to say.
HARVEY MASON, JR.: I’m a person who appreciates and embraces differences. I come from the multicultural group that we intend to speak for. My entire life, from the moment of my birth, I have been labeled as a member of an underprivileged or underrepresented group. I could go into more detail about my background and experiences, but suffice it to say that I bring a commitment to diversity and inclusion to the table. I bring 30 years of experience as a songwriter and record producer to the table.
And I provide only the perspective through which I view things, which is that equality and inclusiveness are reasonable goals. Nothing dramatic happens here. Must read about this article Deangelo Hall Net Worth.
The reason has nothing to do with how nice the phrase sounds or how trendy the term is right now. For the simple reason that when individuals with various perspectives and life histories work together to create something, whether it be a decision, a piece of music or a television show, something truly remarkable might emerge.
When people reach out to one another, invite others in, listen, learn, and work together, things make more sense. That, to me, is what makes music truly musical. That’s the creative spirit, for sure. And that, my friend, is the Academy way!
DR. JEN SCHONBERGER: Can we say that there is a sufficient number of female songwriters in the industry today? The University of Southern California conducted a study suggesting that if we looked back from the year 2020, we might not have made as much progress for women as we did for men.
Of course, you’ve heard about the Album of the Year and Song of the Year nominees by this point. As a result, many of them are women performing on their own. Have we progressed far enough? What do you make of it?
We’re making progress, I believe. – Harvey Mason Jr. To my mind, we haven’t come nearly far enough. Large advances have been made by us. The Academy has set a target of 2,500 new members to be invited.
We have accomplished 77% of the required work to reach that target. For us, that’s a significant increase. Women’s representation among our members and voters has also increased dramatically. I think the nominations, and ultimately the winners, are starting to reflect that. You might also be interested to read about Gabrielle Union Net Worth.
However, more work needs to be done to appropriately portray musicians of color and promote gender equality. It’s common knowledge that 34 percent of all recorded music and 34 per cent of all music played on recorded music devices is Black music.
Consequently, we must be accurate in our portrayal of the situation. And the same goes for the ladies who vote in our group.
DR. JEN SCHONBERGER: Harvey, in your opinion, what is the most pressing problem in the music business today?
Wow, that’s an entire program, Jennifer, and maybe an entirely different interview. However, our sector is not without its difficulties.
In my opinion, this is a fantastic time for our business sector. The fact that listeners can get their hands on our music is quite exciting. I love that we can record an album on a Friday and have it available for our listeners the same day or the next. Wow, that’s fascinating.
The Academy is making great strides to address this issue of how to fairly compensate inventors, which is a major concern. How can we make a living off of our creativity and hard work? The answer to that question needs to be determined.
Of course, this is something that needs to be talked about and possibly even legislated. I’m sure I’ve mentioned this to you before, but every year, without fail, our advocacy team puts in countless hours working on this issue. However, that’s something that needs to be worked out.
Things are evolving, and I believe that includes the future of musical genres. The lines are dissolving and the borders are dissolving. Now and again, we’ll hear a song in the top 10 that’s not sung in English.
For the first time in the Academy’s illustrious history, a record entirely in Spanish is up for Album of the Year. What I see as the next big thing in music is figuring out how to rank various styles. What methods exist for categorizing media for playback?
In my opinion, you don’t. In the not-too-distant future, I anticipate a shift in that regard. Fair compensation for musicians, creators, writers, and artists is something that I believe we’ll have to talk about shortly.
DR. JEN SCHONBERGER: Yes, I do wonder what it will take to get streaming services like Spotify to pay creators and artists more fairly in terms of recompense.
More conversation and dialogue, in general, is what I think is needed, HARVEY MASON JR. We appreciate what the streaming services and DSPs have done for the business and consider them true partners. Check this Mattress Mack Net Worth.
They’ve made it so we can communicate with our followers and customers. They’ve made it simpler for us to share our music with the world. As a result, fewer barriers are being placed in the way.
Therefore, that is a great feature of the streamers, which we greatly like. This is a time of discovery. It’s possible to uncover wonderful music that you’ve never heard before. One can potentially gain access to more music, and it can be obtained more quickly. That’s a good thing, then.
The question, I believe, is how to arrive at a just solution for the financial status of composers, performers, record companies, publishers, independent artists, and artists who create their work.
It’s important to handle each of these distinct areas. And I think it will come down to having serious conversations with the DSPs that are hopefully also helpful and fruitful. And lawmakers are likely to be involved.
DR. JEN SCHONBERGER: And to shift gears slightly, the Senate Judiciary Committee recently held a hearing on Ticketmaster and its handling of Taylor Swift’s concert ticket sales, and the concert ticketing industry broadly.
Testimony presented at the hearing included accounts from music business insiders describing the industry’s “monopoly-like” control over performance spaces, creative talent, and listeners.
In your opinion, is Ticketmaster too powerful in the ticketing market? Should they separate it? Is there a more efficient way to sell tickets to concerts? Is there a chance that NFTs could help in this situation?
DEAR HARVEY MASON JR.: It’s unclear what the future holds for live music ticketing. As for Clyde Lawrence’s performance before the committee, I think he did a fantastic job. I listened to the audio and saw the video.
It was very interesting. Quite a bit, in my opinion, hangs on that supposition. A lot of ground needs to be covered. There is much mystery to be unraveled. And I take it you asked me about the future in general. The same question can be asked about attending concerts.
I can’t claim to know everything. To me, music has always seemed vital. The right music can move mountains. Musicians must have access to as many platforms as possible for the dissemination of their work.
We must fight for the rights of musicians to earn a living in whatever way they see fit, be it through streaming, live performances, book sales, or album sales.
DR. JEN SCHONBERGER: Now Mason told me that after the crypto market fall last year, he is uncertain as to the utility of NFTs in the music business.
However, the Academy would enthusiastically welcome them if they proved to be of worth. On Sundays at 8:00 PM, CBS will broadcast the Grammy Awards live. I’ll get back to you.
SEN. SEANA SMIT: Okay, Jen Schonberger, this is fantastic. Appreciate it.
End
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